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Home > Discover New Delhi > Sightseeing > Lotus Temple
 
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 Lotus Temple 
View of the Lotus Temple and the crystal-clear poolTo the people of India the lotus flower signifies purity and peace, a representation of the Manifestation of God. Rising pure and unsullied above stagnant, muddy waters, the Indians have seen this flower as worthy of emulation, teaching them to be detached from material preoccupation. It is because this flower is so revered in Indian mythology and culture that its translation into the design of a temple has caught the attention of the people at large.

The purity of the Lotus Temple is not limited to the Kakaji location itself. It spreads its petals far and wide into Delhi. The lotus temple is one landmark site in Kalkaji and is a towering ensemble of pure magnificence. Though it is a temple of Baha'I Faith, yet a visit to the temple assures a visitor that there is no religion here, there is only faith. Faith in all religions and the universality of humankind.

The lawns around the templeNot only have there been millions of visitors from India, but also large numbers from most countries of the world have also paid a visit to the House of Worship, and continue to visit. Besides hundreds of thousands of visitors from all walks of life, a great number of dignitaries- Heads of State, Government Ministers, Ambassadors, Heads of foreign missions, diplomats, leaders of religion, scholars, academicians, artists and other prominent people have been received at the House of Worship.

This "House of Worship of the Indian subcontinent" joins six other Bahá'í temples around the world. Each of these Houses of Worship, while sharing some basic design concepts, has its own distinct cultural identity embodying the principle of unity in diversity. The lotus, the national flower of India, is a recurring symbol in the religious architecture of the Indian subcontinent. This ancient symbol has been given a modern and contemporary form in the structure of the Bahá'í House of Worship drawing into its sanctum sanctorum people from all races, religious backgrounds and culture from around the globe.

The green lawnsThe structure of the House of Worship is composed of three ranks of nine petals; each springing from a podium which elevates the building above the surrounding plain. The first two ranks curve inward, embracing the inner dome; the third layer curves outward to form canopies over the nine entrances. The petals, constructed of reinforced white concrete cast in place, are clad in white marble panels, performed to surface profiles and patterns related to the geometry. The double layered interior dome, modelled on the innermost portion of the lotus, is comprised of 54 ribs with concrete shells between. The central hall is ringed by nine arches that provide the main support for the superstructure. Nine reflecting pools surround the building on the outside, their form suggesting the green leaves of the lotus flower.

In the raising of the House of Worship in New Delhi traditional Indian means of construction were employed coupled with the most modern Western engineering design. Fariborz Sahba, Canadian architect of Iranian origin, spent 10 years in designing and project management, and with the help of a team of about 800 engineers, technicians, artisans and workers brought to realization, one of the most complicated constructions in the world. The conversion of the lotus into structural designs and working drawings alone took the architect and his structural consultant Messrs. Flint and Neil Partnership nearly 18 months of work. Translating the geometry of the design, in which there are virtually no straight lines, into the actual structure, presented particular challenges in designing and erecting the framework. According to the authorities, not only was it difficult to align, so as to produce accurately the complex double-curved surfaces and their intersections, but the closeness of the petals severely restricted work space.

Lotus TempleThe work was carried out by a work force of almost 700 people, including 400 carpenters at a time, using the most traditional techniques and equipment to achieve the highest quality and sophisticated construction. People have marvelled that such a modern and complex design could be built in India. The architect in fact believes that this design could not have been executed anywhere else because it is rare to find the combination of traditional craftsmanship, pride in one's work, empathy for spiritual undertaking, perseverance under all odds and ample patience, as can be found in the people of India. As commented by progressive Architecture of USA in their article on the Bahá'í Temple "It goes to prove that high-tech concepts do not always demand high-tech solutions."

When the temple was first opened to the general public on January 1, 1987 they flocked to the "Lotus Temple", as they fondly call it, from sheer curiosity. The vast lawns, the massive white structure, the high ceiling Prayer Hall, and a temple without idols standing so close to an ancient Hindu temple aroused the interest of all and sundry.

The Indian visitors, from the most sophisticated to the most simple, has expressed perplexity at the absence of any idols. It has been a hard task since explaining to them that the all-pervasive Almighty cannot be put in any limited form. Often the visitors ask the guides where the object of adoration is. In their simplicity some have placed flowers before the lectern used during regular prayer services.

In an effort to enable the visitors get closer to the Creator, the Lotus Temple is not just an architectural wonder, a monument or a temple of any particular religion. The faith in universal belief has been reinforced in all who visit the House of Worship.

- Saurabh Sharma

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